Happy Holidays! Updates for the End of 2013!

vvI hope everyone is finding some relaxation, recovery, and reflection in the final days of 2013. Currently, my newest book Mavericks: Conversations with Indie and Root Rock Icons is under review at a major press, so I am awaiting their response and gathering the visual elements of the book, including flyers, fanzine clippings, and photography. The text is large, several hundred pages, and will encompass artists from the Clean and Radio Birdman to the Violent Femmes and Ralph Stanley. I should know more very soon.

I also continue to edit a book of poetry with Peter Case of the Nerves and Plimsouls, which should be completed within the next month as well as we make the final content decisions and craft the front cover.

In addition, Visual Vitriol continues to make a deep impact on academic studies. I just received notice that my focus on street posters as the “second skin of cities” and other related concepts has been cited several times in “You and I aren’t so equal; the visual representation of gender inequality in the contemporary  New Zealand workforce and the visual manifestation of inequality in Wellington’s southern suburbs,” by Natalie Ellen-Eliza for a thesis presented in fulfillment of the requirements for the degree of Master of Philosophy in Visual and Material Culture at Massey University, Wellington, New Zealand. You can actually read her entire work here.

In the meantime, I was able to spend last night with my former student turned graphic designer Beau Eaton at a local bar that has been open since the 1940s. He made an incredible Visual Vitriol poster using old-fashioned hand-set type for a show at Umpqua Community College in Oregon, so I present it to you again, along with my own Bowie-centric one as well. Enjoy your winter…



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